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Works at Orlando Museum of Art

 

10 From Florida, January 10 - May 5 , 2024

This exhibition of contemporary art features the work of 10 Florida-based artists in the OMA’s Permanent Collection who all have the distinction of having been featured in the Florida Prize in Contemporary Art exhibition over the years. The artists include Anja Marais, Kerry Phillips, Sri Prabha, Lola Gomez, Carlos Betancourt, Amy Schissel, Pepe Mar, and Kyle Trowbridge and represent a plethora of disciplines, from painting to photography, drawing, papercut, video performance, video art, sculpture and assemblage.

A Mother, Possibly, October 20, 2023 - May 20, 2024

This exhibition will bring together a group of eclectic artists whose works feature the representation of mothers, motherhood, or the possibility of motherhood and the notion of fertility. Throughout a plethora of mediums and across many time periods, from traditional painting, African art, Art from the Ancient Americas as well as contemporary art, the works in the exhibition will be a combination of OMA collection pieces, long-term loans as well as temporary loans from local collections. They will feature works by Alice Neel, Titus Kaphar, Louise Bourgeois, Nina Surel, Francie Bishop Good, Peggy Levison Nolan, the Cabal Collection of Ancient American earthenware, and many others.

Orlando Museum of Art

omart.org

 

 

 

 

 

 

 

 

 

 

 

 

 

Summer shows at Art and Culture Center of Hollywood, Mindy Solomon Gallery in Miami

 

Fractured:

 

Mindy Solomon is pleased to present a trio of gallery artists working primarily in the medium of clay. Pushing the boundaries of abstract expressionism through surface and form, each artist brings a unique perspective to the reasons behind their work and the resulting objects.

“Working in clay has opened doors to a magical and quirky world. What seemingly started as a therapy to the tumultuous times, evolved into unconventional sculptures that act as both optimistic and protective forms. Spontaneously molding, coiling and pinching without any previous planning gives the role of chance, a primary force in my art making practice."    - Francie Bishop Good

Mindy Solomon Gallery

June 10–July 29, 2023

mindysolomon.com

 

 

 

 

 

 

 

 

Abstracted:


Abstracted looks at the work of three multi-media artists: Francie Bishop Good, Karen Snouffer, and Sara Stites. These three artists all create vibrant paintings and sculptures to communicate open-ended ideas and themes while appreciating the physicality of artmaking. The exhibition presents each artist’s unique perspective while opening a collective conversation. In Gallery 3, the exhibition continues with a look at abstraction through a historical lens including Abstract Expressionism, Orphism, Lyrical Abstraction, and Japanese Nihonga.

Art and Culture Center of Hollywood
June 3 - August 6, 2023

artandculturecenter.org

 

 

 

Exhibit + Catalog: Florida Prize in Contemporary Art

Francie Bishop Good, finalist

 

The Florida Prize in Contemporary Art is organized by the Orlando Museum of Art to bring new recognition to the most progressive artists in the State. Each year OMA's curatorial team surveys artists working throughout the state before inviting ten to participate. One artist will receive a $20,000 award made possible with generous support of local philanthropists Gail and Michael Winn. Artists range from emerging to mid-career, often with distinguished records of exhibitions and awards that reflect recognition at national and international levels. In all cases, they are artists who are engaged in exploring significant ideas of art and culture in original and visually exciting ways.

Florida Prize in Contemporary Art at the Orlando Museum of Art

June 4 - August 14, 2022

omart.org

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Fort Lauderdale Illustrated Magazine

November 2021 / The Arts Issue

Francie Bishop Good and David Horvitz: Artists in Residence

Solo Exhibit at Bookstein Projects, NYC

July 6 - 30, 2021

Francie Bishop Good

Bookstein Projects, 60 East 66th Street, 3rd Floor, New York, NY 10065

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Allentown Museum Pop Up at Lehigh Valley Mall

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From Gallery Walls to the Mall: The Art of Francie Bishop Good

Art is meant to be seen, and so the Allentown Art Museum was pleased to accept an invitation to bring a work from the collection out into our community this summer. From early June through late October 2021, selections from artist Francie Bishop Good’s Comus series are on display as an exhibit inside the Lehigh Valley Mall, near the main Mall entrance next to Barnes & Noble. The images in Good’s Comus series are reproduced from the 1942 edition of the Allentown High School Comus yearbook owned by the artist’s mother and her own Comus from 1967 and manipulated in various ways. The series has been shown at galleries and museums across the country, including in 2017 in Trexler Hall, before being acquired by AAM. Now, Comus is on display again.

Artist Talk with Art and Culture Center/Hollywood Curator Meaghan Kent

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Art Districts Magazine: Quarantine Diaries

Francie Bishop Good

Click here to read article.

Miami Modern Luxury Magazine

Pioneer Artist Francie Bishop Good turns her attention to clay
Article by Luis R. Rigual.

Click here to read article.

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The New York Times

SHOW US YOUR WALL: Where Women and Artists in Color Set the Tone
Francie Bishop Good, an artist herself, can’t resist adding to the collection she and her husband have amassed. Article by Hilarie M. Sheets. Photos by Winnie Au.

Click here to read article.

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Solo Exhibit at Mindy Solomon Gallery, Miami

May 2 - May 30, 2020

Curious Garden: Recent Works in Sculpture and Painting

Mindy Solomon Gallery, 8397 NE 2nd Ave, Miami, FL 33138

mindysolomon.com/exhibition/francie-bishop-good-curious-garden/

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Vasari 21 Interviews Francie Bishop Good

Interview by Ann Landi

Ever since she acquired her first camera with S&H Green Stamps way back in the 1950s, Francie Bishop Good has been an avid photographer and painter, pursuing subjects that explore the coming of age of her niece and the private domestic spheres of women and children. She and her husband, David Horvitz, are also avid collectors, focusing almost exclusively on works by women. And she is one of the founders of the Girls Club, a venue in Fort Lauderdale for shows, workshops, and lectures (the most recent exhibition featured works by Mickalene Thomas, Petah Coyne, Amy Sillman, and Elizabeth Murray).

 

After the 2016 election, Bishop Good turned to working with clay as a response to the dismaying political trends in the country. “She wanted to make work without thinking and as clay was a new experience for her, she allowed herself the freedom to explore this primal medium without any formal instruction in the traditions of ceramic and pottery,” says Bonnie Clearwater, director of the NSU Art Museum, where the artist’s works are on view through June 30 “Instead, she probed and kneaded the lump of clay until it magically emerged into an amorphous creature….For Bishop Good these ceramics are powerful talismans and also suggest the Gollum of Prague. According to Jewish folklore, a rabbi brought the gollum to life to defend the Prague ghetto from anti-semitic attacks and pogroms of the late 16th century. Similarly, Bishop Good’s creatures provide protection and solace for her against the barrage of unnerving current events.”

 

Our interview traces Bishop Good’s long and passionate involvement with art, collecting, and community.

click here to listen to the full interview

Exhibit at Frost Art Museum

June 30, 2018 - ongoing

Connectivity: Selections from the Collection of the Frost Art Museum

The photograph, Mothers and Children, Pink Dress and Reflections, in conversation with two works by Ruth Orkin.

Patricia & Phillip Frost Art Museum, 10975 SW 17 Street, Miami, FL

www.frost.fiu.edu

Exhibit at NSU Art Museum

September 9, 2018 – June 30, 2019

REMEMBER TO REACT: 60 YEARS OF COLLECTING

"For most of her career Francie Bishop Good has worked in the two-dimensional mediums of painting, collage, photography and computer generated images. Although her early paintings and mixed media works are highly textured with layers of expressively applied paint and collaged elements, her most recent computer work limited her personal touch and resulted in the production of super flat surfaces. Her sources tend to be autobiographical, and even in her most abstracted works, the figure remained a constant characteristic. Bishop Good, however, felt compelled to migrate to working clay with her hands in 2016 as an emotional response to recent political and social turmoil. She wanted to make work without thinking and as clay was a new experience for her, she allowed herself the freedom to explore this primal medium without any formal instruction in the traditions of ceramic and pottery. Instead, she probed and kneaded the lump of clay until it magically emerged into an amorphous creature. Forgoing traditional pottery glazing Bishop Good applied saturated, vibrant acrylic paint directly to the porous surface. These creatures each with a distant personality, rapidly multiplied and coalesced into the microcosm where they exist independently of their creator. For Bishop Good these ceramics are powerful talismans and also suggest the Gollum of Prague. According to Jewish folklore, a rabbi brought the gollum to life to defend the Prague ghetto from anti-semetic attacks and pogroms of the late 16th century. Similarly, Bishop Good's creatures provide protection and solace for her against the barrage of unnerving current events."  

- Bonnie Clearwater, Executive Director and Chief Curator, NSU Art Museum

NSU Art Museum, Fort Lauderdale, One East Las Olas Blvd, Fort Lauderdale, FL

www.nsuartmuseum.org

Home is Where the Art Is

Venice Magazine, Article by Robin Hodes, November 2018

"Hanging art and displaying sculpture is just like the making of an artwork,” Bishop Good says. “It takes time, doesn’t always work out as planned and can be changed.”

click here to read full article

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Good & Hearty: Tomato Bisque

Art Hive Magazine, Article by Bruce Helander, Winter 2018

"The final fired work truly is a kind of metamor- phosis from paint on canvas to sculpture made from clay. For Bishop Good, she quickly discovered with this new malleable material that many of its character-istics had a seductive quality, which she enjoyed incorporating into various series throughout her colorful career."

click here to download and read full article

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